I have a lot of respect for Ze Frank, and I adored his year-long project, The Show. So many people have said things similar to this, but it’s always a good thing to hear again. In summary: if you want to make stuff, make stuff. It’s the only way you’ll get past the point of making things to the point of having made stuff. Then you get to make more stuff. So go make stuff!
Thoughts on the Creative Career (by zefrankenfriends)
So much for getting hired.
Your thoughts are instantly formed without any work on your part, the result of thousands of influences that shape you into who you are. No thought of yours is truly original—it has all been influenced. All men do is observe and combine.
Inner turmoil is a result of not doing what brings you comfort. Close your eyes and let your mind direct your behavior to that which it wants. It is your master—a master created by training and make.
My new record, Dagger Beach, will be released in late spring, I’ll have tons more info rolling in a few weeks, including the launching of my Kickstarter this Tuesday, February 19. I’ll be releasing my cover of David Bowie’s Diamond Dogs on a limited run of 300 200g LPs as well. You can pre-order both on the KS, I think the Diamond Dogs will sell out pretty quickly.
Track listing and info is below. I CAN’T wait for you to hear it!!!!!!
Dagger Beach Track Listing
1. Raw Wood
2. Harlequin Press
3. Song For Dana Lok
4. How The West Was Won
5. Interlude #1
6. Song For David Berman
7. Damage Control
8. Song For The Landlords Of Tiny Telephone
10. Sleep It Off
12. North Coast Rep
13. Interlude #2
Dagger Beach was recorded by Ian Pellicci and JV
at Tiny Telephone A & B
Mixed by Ian Pellicci at Tiny Telephone
Assisted by Shawn Alpay and Kelley Coyne
Mastered by Bob Weston at Chicago Mastering Service
Produced by Ian Pellicci and JV
Thanks to James Riotto for editorial insight
All songs JV, except
“Song for the Landlords of Tiny Telephone” written by Shawn Alpay
and “Interlude 2” by Rob Shelton
If you have some time to kill this weekend and crave more Modest Mouse goodness, Pitchfork’s excellent documentary on The Lonesome Crowded West is very much recommended. You can watch it here.
For the film, Pitchfork.tv traveled to Los Angeles, London, and cities across the Pacific Northwest (Portland, Seattle, Olympia, Port Townsend) to discuss the making of the album with everyone from frontman Isaac Brock to Calvin Johnson and producer Phil Ek. We learned the album’s story back to front, including the fact that halfway through its recording, Ek was called in to rerecord three songs from the original sessions. The film also includes archival footage taken during live performances and original recording/mix sessions at Moon Music in Olympia.
This and the new #Organist podcast make me want to skip the Super Bowl this weekend.